Throughout
history, commanders have used music to raise morale and espirit
de corps of the soldiers before battle.
Patriotic songs and stirring marches have always been
used for these occasions.
Our
present day change of command ceremonies symbolize this time
honored tradition.
The
playing of “Sound Off”, originated during the crusades.
Troops offering themselves for battle were drawn up in a
long formations while the band counter marched before them to
honor those soldiers chosen to serve. The Baldric worn by the
Drum Major is the Band's guideon on the parade field. It displays
the unit's crest and the unit’s campaign credits. In days
before radio communication, the band played a major role on the
field of combat.
In the heat of battle, when voice commands were difficult
to hear, the mace carried by the drum major was used to relay
commands to the band, who in turn relayed the commands musically
to the soldiers.
Music
was used in biblical times for praise and worship.
In the days of Moses songs were sung to celebrate
victory.
And long before Airborne Girl Productions began writing
original anthems, Solomon in biblical times was pretty much the
Top Ten writer of the day. He authored 1,005 different
songs.
It would be hard to say if the tempos matched those of
the “Airborne Swing” or the “SOC HOP” from Airborne Girl
Productions, but Solomon’s writings were beautiful and equally
descriptive in lyrical content.
Airborne
Girl Productions believes that music is still a powerful,
inspirational tool to rally the troops, celebrate victory, and
for soldiers to offer praise and worship, even on the
battlefield.
You don’t have to be a good singer or even a musician
to enjoy music.
Music is born in the heart, and when it comes from the
heart, it is very beautiful.
It is still a universal language and international
encourager.
"I
strive to write for the entire circle of the soldiers’ life.
Some anthems are written for strength and encouragement
while on the battlefield, others are written
for the heart and inspiration, and some for the family.
While anthems like “Little Warriors” can bring even
the toughest combat soldier to draw up tears, others like “Airborne Swing” are lighthearted and
funny, and offer a relaxed atmosphere to forget the troubles of
the world for a while.
A good example of a fun song is the upcoming release of
“SOC HOP.”
It is a spirited rock ‘n’ roll tune that pays tribute
by humor to the Special Operations Command, aka, SOC.
"There
is no particular formula for writing," states Ms. Neff.
“Follow Me” was written on an airplane after spending
two days at Ft. Benning and learning about The Airborne School.
It was not planned; it just happened.
Other writings have specific themes, and I sit and write a
sketch of what I want to say, and the style of music that I
want. After
spending time with particular units over the years, I have
learned that I just can’t rush the writings.
If
it is an anthem that is unit specific, then the Commander will
be allowed to review all the words to insure that unit history,
tradition and conformity are correct in the lyrics.
They don’t hear the music until the final mix is
completed, and I present it to them.
No one has thrown one back at me yet.
I
receive letters and e-mails from soldiers around the world
who have my music.
To hear them share with me that it inspires them, makes
me happy beyond measure because they are the ones I am writing
for.
To
simply be remembered, as “the writer who wrote for soldiers”
will be the greatest tribute anyone could pay to me.
I live to write for soldiers.
The
CD, Hero and Comrade Anthems
is a tribute to the Special Forces Warrior and the Airborne
Spirit. There are 21 songs on the CD